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Driving Madeleine / Une belle course
director – Christian Carion

Driving Madeleine / Une belle course
France, 2022, 91 min.
director – Christian Carion
producer – Laure Irrmann
script – Cyril Gely and Christian Carion
camera – Pierre Cottereau
editor – Loic Lallemand
music – Philippe Rombi
production designer – Chloe Cambournac
costume designer – Agnes Noden
An UNE HIRONDELLE PRODS./PATHE/ARTEMIS PRODS. production
intl. sales – PATHE
BG distributor – БЕТА ФИЛМ
cast:
Line Renaud (Madeleine), Dany Boon (Charles), Alice Isaaz (Young Madeleine), Jeremie Laheurte (Ray)
A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.
Charles is a taxi driver in Paris, and he is having a very bad day. Some pressing personal debts are due, he’s in danger of losing his driver’s licence to numerous traffic infractions, and his marriage, like Charles himself, is strained to the point of snapping. A quick fare in the suburbs seems like an easy distraction.
Enter Madeleine, an immaculately groomed 92-year-old woman, who informs Charles that the trip today will not be a direct one. She is moving into a care home and would like to make some stops along the way, predicting that this might be her last car ride through the city. Initially exasperated and grumbling, Charles is slowly lured in by her warm charm and directness. Their ride takes them through the momentous locations of her life and we discover that she has had a shocking and very dramatic journey indeed.
Their short friendship is sure to have a lasting impact as Madeleine listens to Charles confess his own worries, all of which she absorbs with candour and clarifying humour. Boon, an actor best known for his comedic work, creates a dramatic portrait of a frustrated man facing a personal crisis of epic proportions. His darker, sharper edges allow Renaud (renowned for decades in France as a singer) to shine as the pure shimmering light that is Madeleine. She reminds us that inside every seemingly benign elderly woman we might pass on the street is a warrior, a nurturer, and a spirited adventurer.