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Theorem / Teorema
director and screenwriter – Pier Paolo Pasolini
Trailer
Theorem / Teorema
Italy, 1968, 98 min.
director and screenwriter – Pier Paolo Pasolini
producers – Franco Rossellini and Manolo Bolognini
camera – Giuseppe Ruzzolini
editor – Nino Baragli
music – Ennio Morricone
production designer – Luciano Puccini
costume designer – Roberto Capucci
An AETOS FILMS production
intl. sales – MONDO TV
awards:
Venice – Volpi Cup for best actress to Laura Betti
cast:
Terence Stamp (The Visitor), Silvana Mangano (Lucia), Massimo Girotti (Paolo), Laura Betti (Emilia), Anne Wiazemsky (Odetta), Andres Jose Cruz (Pietro), Ninetto Davoli (Angelino)
The “theorem” of the title is a mythological figure whose arrival is heralded by Pasolini’s favorite fetish-actor, Ninetto Davoli, bringing a telegram to the home of a Minalese industrialist Paolo. An attractive young man in tight-fitting trousers, The Visitor, then pays an extended visit, proceeding to seduce every member of the household – the father, the mother Lucia, the teenage daughter Odetta, the somewhat older son and the maid Emilia – to the recurring strains of Mozart’s Requiem Mass and a modernist score by Ennio Morricone. Then the stranger leaves as mysteriously as he came, and everyone in the household undergoes cataclysmic and traumatic changes.
“Teorema tells of a religious experience. It is the story of the arrival of a divine visitor in a bourgeois family. This visitation turns everything that its members knew about themselves upside down; that guest has come to destroy. Authenticity, to use an old-fashioned word, destroys inauthenticity. When he goes away, everyone is left with an awareness of their own inauthenticity. And so each member of this family has a crisis, and the film ends more or less with the following moral: whatever a bourgeois does, it’s wrong.”
Pier Paolo Pasolini
